Story:
The action begins as Ana Clark (Sarah Polley) wakes up one
nightmarish morning to discover her boyfriend has become a
tasty midnight snack for a neighbourhood kid. To her horror,
she realises that the whole town has been similarly afflicted,
its population turned into corpses driven by an insatiable
hunger to feed upon the flesh of those few survivors that
are still living.
Eventually
Ana runs into a small group of the still-living, among them
cop Kenneth (Ving Rhames); the level-headed Michael (Jack
Weber) and expectant parents Andre (Mekhi Phifer) and Luda
(Inna Korobkina). Together they seek refuge in an abandoned
suburban mall and barricade themselves inside. As
the world outside grows ever more hellish, as the ever-increasing
army of decomposing zombies tirelessly strive to infiltrate
the mall, so the survivors must battle the undead, each other
and their own fears and suspicions.
What's
it like?:
A very enjoyable popcorn romp through the world of zombie.
Gone is the social commentary shown in Romero's version (and
some of the running time) and what we¡¦re left
with is a fast paced action orientated horror movie for the
MTV2 generation. The zombies cannow sprint all over the place
making them a more dangerous (and cinematically appealing)
threat. In truth I was pleasantly surprised by the movie.
The action sequences are well staged, the make-up is great
and this director¡¦s cut contains a little bit
more characterisation that only benefits the film. Despite
my meanderings about the seemingly brainless side of the story
there is one thing that sets this apart from Romero¡¦s
version: the sense of loss and human tragedy. This is particularly
evident in the baby sequence and during a dinner-time discussion
between the mall survivors. Both Sarah Polley (Ana) and Michael
(Jake Weber) are great and actually provide some acting sklills
to it.. a HORROR movie. Imagine that? Look out for cameos
from original DAWN cast members Scott Reiniger, Tom Savini
and Ken Foree (and check the special features for more of
Savini¡¦s ad-libbing suring his ¡¥news
interview¡¦. Class)
Just enjoy
it for what it is which is a well made, fast paced popcorn
horror movie with elements of touching sympathy and some nice
acting. It¡¦s not scary or frightening in anyway
either. Just don't compare it to Romero¡¦s version
because it¡¦s an entirely different film.
Click
HERE
for a link showing the new additions to the Directors
Cut.
The
DVD
Picture: Excellent. Outlines
are crystal clear and there was no visible grain from what
I could see. Colour hues are high with no bleeding in an albeit
dark transfer. This is not a hinderance and it¡¦s
a good effort. But what else do you expect from a big-budget
studio movie?
Sound:Bombastic
5.1 mix that really gives the old front channel subwoofer
a work out. The rear channels are nicely used and at a nice
volume; you¡¦re never far away from the zombies
when they creep up around you all the time. There¡¦s
also a Surround sound Dolby Digital 2.0 mix aswell
Menu:
The main menu has the montage sequence from the movies opening
credits with Slipknot'¦s "Down with the Sickness"
blasting over the top. Atmospheric and is a nice precursor
of the films intention and audience.
Special
Features:
The movie is available in both theatrical and this uncut format
with this reviewed edition having the bonus of 2 extra featurettes.
Let¡¦s tackle the features in turn:
Disc
introduction by director Zack Snyder:
Short intro minute intro from the director that tells you
what to expect from the new footage.
Audio
Commentary with director Zack Snyder and Producer Eric Newman:
Laid back commentary with Snyder speaking on behalf of the
horror crowd and Newman backing him up with anecdotes and
tidbits. Snyder comes across as someone who loves the genre
and he doesn¡¦t discuss technique or intention
just the need for gore. Bless him. Still the commentary
is worth listening to for the lack of a real ¡¥Making
of¡¦ feature but it¡¦s not Citizen
Kane so just don¡¦t expect much theorising.
Undead
Scenes w/ optional commentary:
A nice selection of deleted scenes which for teh most part
are alternate versions/takes of things that ended up in
the movie. Most are further character points which Snyder
discusses with his commentary. Mostly removed changed to
soften the pace or keep it going.
"Special
bulletin" Featurette:
A great 20minute fake news report that covers 26hours of
the escalating crisis. It¡¦s a nice addition
that¡¦s well paced and played deadly straight.
BABYLON 5 fans should recognise Richard Biggs (newscaster)
and the voice of Bruce Boxleitner (as the voice of the US
President).
Andys
Lost Tape:
This is by far the best extra. Andy gets his full due here
in a nice performance from Bruce Bohne that looks at how
Andy ended up holed up in the Gun Shop during the crisis.
It runs parallel to the film so you get the ongoing communication
with the mall survivors expanded upon in more detail. It¡¦s
the backstory Andy was never afforded in the script and
it should be the first thing you watch after the movie.
Excellent idea that is well handled by all.
Featurettes:
Raising the Dead, Attack of the Living Dead and the disc
exclusive Splitting Headaches: Anatomy of Exploding Heads.
Short, sharp looks at the make-up and technical visual effects
of the movie. Covers the problems and making so many of
the undead and applying their various stages of decomposition.
All interesting and worth a view although the look at the
mechanics behind the exploding heads is slightly disappointing.
Summary:
Film:
3.5/5
Picture: 4/5
Sound: 5/5
Extras: 3/5 - No "Making
of" let's the score down here. Also the lack of the
excellent screen-crawling trailer is a bit of a disappointment.
Overall
package:
4/5 Possessed Cheryls: Great
popcorn horror flick with plenty to amuse on a nice, well-packaged
disc let down only by some expected, yet missing, extras and
the audacity of calling it DAWN OF THE DEAD! It's not genre
defining but it's better than some of the other big-budget
horror fare of late.
Just don't
let the Romero die-hard's know you liked it ;-) Worth a purchase
only in this it's uncut form.
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